Kirk Lothian Photography
Songs and spoken word with a cinematic, poetic sensibility
I write thoughtful, reflective pieces that pair voice with piano, often adding strings, winds and subtle electronic textures. The music sits between song, film music and sound art.
I’m based in Glasgow and work with artists and collaborators internationally.
The songs and arrangements are beautiful, like little jewelled boxes
—Findlay Napier
Current projects
Meltwater
This five-song EP was written in collaboration with lyricist Colin Macduff and explores external – internal dynamics, with particular focus on hidden worlds, darkness, ice and thawing. Piano-led with voice, strings, winds and percussion.
Instrumental versions of selected tracks will be available for film and television.
Release planned for autumn 2026.
Full tracks available on request
We’re Skimming Stones
My second solo album. Eleven songs exploring difference and belonging, and the link between creativity and “weirdness“.
Release planned for spring 2027.
Earlier work
Closure
My debut album, released in 2023.
Recorded by Angus Lyon at Gran’s House Studio and produced by Boo Hewerdine.
Available on Bandcamp.
Composing
Parallaxed (2025)
A short film by Neil Armstrong featuring excerpts from my song Pillow Talk.
Preview (opening sequence)
Scarecase (2024)
Video game by Dramatic Software for which I composed the soundtrack.
Arranging
I arrange music for my own work and for others, with a focus on string quartet, winds and brass. Arrangements are developed using MIDI and instrumental libraries, and delivered as fully notated scores for session musicians.
I am happy to work collaboratively to shape arrangements around a song, voice or existing material.
Hinges Torn (Maria Quinn)
Blank Spaces (Anne Gair)
Cigarettes and Smokescreens (Anne Gair)
Challenges our perspectives about modern music and draws us into some fascinating story telling
—Norrie Hunter
Piano
I work as a session pianist and keyboard player, performing on acoustic piano and a range of keyboards.
My playing is sensitive and supportive, with a strong emphasis on musical intent. I’m comfortable working from lead sheets, scores, or improvised frameworks, and enjoy shaping parts collaboratively.
I can record remotely on a Schimmel C180 grand piano, using a matched pair of Neumann KM184 microphones, or I’m equally happy to work in a studio environment.
I also perform with Out of the Blue, a live Joni Mitchell songbook project.
Contradictions (Acorn Shed Music)
Little Thief (Shirley Barr)
The Names (Colin Macduff)
A record that fizzes with invention
—Boo Hewerdine
Get in touch
Send me a message / join my mailing list. I’d love to hear from you.
I’m always interested in collaborating, especially with filmmakers and poets, and with artists working across different genres.